| author(s) | title | paper | presentation (film@YouTube) | Q&A (film@YouTube) |
Vibeke Sorensen |
Welcome address by ADM Chair |
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PerMagnus Lindborg |
Opening notes by Symposium Chair |
00-Lindborg |  |
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Roger T. Dean |
Interactive Sound: Generative approaches from Computation and Cognition |
01-Roger Dean | |
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Diemo Schwarz |
Interacting with a Corpus of Sounds |
02-Diemo Schwarz |
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Joyce Beetuan Koh & Steve Dixon |
Integrating live performance, poetry, sound, and video in a multimedia theatre production of T.S. Eliot's The Waste Land (1922) |
03-Koh+Dixon | |
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Renick Bell |
Considering Interaction in Live Coding through a Pragmatic Aesthetic Theory |
04-Bell | |
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Stefano Fasciani & Lonce Wyse |
One at a Time by Voice: Performing with the Voice-Controlled Interface for Digital Musical Instruments |
05-Fasciani | |
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Jingyin He, Jordan Hochenbaum & Ajay Kapur |
V I E: an automata sequencer |
software (zip) | ||
Rachel Chen Siew Yoong & PerMagnus Lindborg |
Why call them video games? Investigating the Relative Importance of Audio and Video in Computer Games |
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Candice Ng |
Playing The Archive: Transforming Cross-Disciplinary Research Through Visual and Sonic Immersion |
06-Ng | ||
Kameron Christopher, Jingyin He, Ajay Kapur & Dale Carnegie |
Interactive sound synthesis mediated through computer networks |
07-Christopher | ||
Michael Spicer |
An Agent Based Performance System |
08-Spicer | ||
Eddy Chong, Ding Qin, Zhenyu Yu & Ruitao Jia |
Symbolic Representation of Tonal Progressions for Rule-based Evaluation |
09-Chong | ||
Simon Lui |
Defining the dominance axis of the 3-D emotional model for expressive human audio emotion |
10-Lui | ||
Mriganka Mdhukaillya & Siddhant Yadav |
Interactive Interior Sound Design |
11-Siddhant | |
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Sara Lenzi & Gianpaulo D’Amico |
Foodfrequency: a food and sound cross-modal immersive experience. |
12-Lenzi |